O'Neale was then hired in Household Art, and her appointment was followed by those of two other Anthropology PhDs, Anna Gayton and Ruth Boyer. Together they brought a new academic bona fides to the program. The students were held to a higher level of technical, ethnographic, and historical knowledge, and at the same time, they needed to keep aesthetic issues in mind. By 1939, the academic emphasis had changed so much that the department's names—"Home Economics, Household Art"—seemed outdated and misleading. O'Neale and her colleagues wanted to recruit students of both sexes with large ambitions and training in architecture, anthropology, art practice, and art history, so they asked that the name be changed. Unlike Household Science's request for a name change, though, theirs was successful: Household Art became Decorative Arts in 1939. The name change also helped recruit male faculty: Winfield Scott Wellington (1897–1979), the director of the University Art Museum, was the first man to join the department (Jacknis, 184-88).
These examples—and many more that could be adduced—suggest that the decline in the percentage of women on the faculty had many causes: male skepticism, a cultural atmosphere that weakened women's will to succeed, and the dismantling of separate women's programs were all to blame. There was as well, though, systematic discrimination that kept women in jobs for which they were clearly overqualified. The wonder is that so many women achieved so much for academic institutions that seem to have been intent on undervaluing them.
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